The Duchess and the Highwayman
By Beverley Oakley
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BLURB:
A duchess disguised as a lady’s maid; a gentleman parading as a highwayman.She’s on the run from a murderer, he’s in pursuit of one…
In a remote Norfolk manor, Phoebe, Lady Cavanaugh is wrongfully accused by her servants of her brutal husband’s murder.
There’s little sympathy in the district for the duchess who’s taken a lover and made clear she despised her husband. The local magistrate has also vowed revenge since Lady Cavanaugh rebuffed his advances.
When Phoebe is discovered in the forest wearing only a chemise stained with the blood of her murdered husband, she persuades the noble ‘highwayman’ who rescues her that she is Lady Cavanaugh’s maidservant.
Hugh Redding has his own reasons for hunting down the man who would have Phoebe tried and hanged for murder. He plans to turn ‘the maidservant with aspirations above her station' into the 'lady' who might testify against the very villain who would see Phoebe dead.
But despite the fierce attraction between Phoebe and the 'highwayman', Phoebe is not in a position to admit she's the 'murderous duchess' hunted across the land.
Seizing an opportunity to strike at the social and financial standing of the man who has profited by her distress, Phoebe is drawn into a dangerous intrigue.
But when disaster strikes, she fears Hugh will lack the sympathy or understanding of her unusual predicament to even want to save her a second time.
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Excerpt:
Chapter One
It was an evening like any other: dull with a hint of menace and tension so thick Phoebe imagined slicing a neat hole in it and disappearing magically into a new life.
Any would do.
The company had retired to the dim, close drawing room, gentlemen included, following a gluttonous dinner. By the fireplace Phoebe worked at her embroidery, glad to be ignored though she knew that wouldn’t last for long.
The reprieve was even briefer than she’d anticipated. Brutus exhaled on a shuddering snore truncated by a yelp as he chased rabbits in his dreams; this caused James the footman, who was stooping over Ulrick in the act of offering his master a drink, to jump in fright and deposit a snifter of brandy upon her husband’s waistcoat. Not that it would concern Ulrick who was snoring more loudly than Brutus and whose waistcoat was already stained with drool.
The footman cast the mistress a sideways glance as he unwound his lordship’s stock and dabbed at the sticky mess but Phoebe held her tongue and made do with a dispassionate look. She’d never liked James. She was certain he’d conspired with Ulrick on more than a few occasions to put her on the back foot and to tarnish her name below stairs. Despite her obvious disdain, she was afraid of the power he wielded.
“That will be all, James.” She rose with a dismissive wave and the rustle of silken skirts. “I’ll attend to my husband. Please see Mr Barnaby and Sir Roderick out.”
Sir Roderick, that most unwelcome of neighbours, appeared before her, bony and wraithlike; malevolent as ever. “I believe your dog that needs more attention than Lord Cavanaugh.” His thin mouth turned up in a parody of amusement as he wafted a fastidious hand about his nose, indicating Brutus’s greater guilt than his master’s snoring.
Phoebe offered Sir Roderick a cold smile. On the other side of the room Ulrick’s two other guests conversed in low voices by the window.
She inclined her head as she ignored his attempt at levity. “Good night, Sir Roderick.”
Sir Roderick straightened his spare, weedy frame, which she saw trembled with supressed outrage at being so summarily dismissed by the lady of the house.
Phoebe refused to turn away from his challenging gaze. Sir Roderick was another who couldn’t wait until the doors of Blinley Manor were closed against her the moment Ulrick breathed his last. She’d offended his honour, having bitten his lip and kneed him in the groin six months before when he’d accosted her in a dimly lit corridor and suggested in lewd terms how he might assist in the creation of an heir for the already ailing Ulrick. An heir that would ensure Phoebe kept a roof over her head.
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Author Info:
Beverley Oakley was seventeen when she bundled up her first her 500+ page romance and sent it to a publisher. Unfortunately drowning her heroine on the last page was apparently not in line with the expectations of romance readers so Beverley became a journalist.Twenty-six years later Beverley was delighted to receive her first publishing contract from Robert Hale (UK) for a romance in which she ensured her heroine was saved from drowning in the icy North Sea.
Since 2009 Beverley has written more than thirteen historical romances, mostly set in England during the early nineteenth century. Mystery, intrigue and adventure spill from their pages and if she can pull off a thrilling race to save someone’s honour – or a worthy damsel from the noose – it’s time to celebrate with a good single malt Scotch.
Beverley lives with her husband, two daughters and a Rhodesian Ridgeback puppy the size of a pony opposite a picturesque nineteenth century lunatic asylum. She also writes Africa-set adventure-filled romances tarring handsome bush pilot heroes, and historical romances with less steam and more sexual tension, as Beverley Eikli.
You can get in contact with Beverley at:
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1. What is your favorite part of this book and why?
2. If you could spend time with a character from your book whom would it be? And what would you do during that day?
3. If you could have been the author of any book ever written, which book would you choose?
4. Are your characters based off real people or did they all come entirely from your imagination?
Interview with Beverley Oakley
About her latest release, The Duchess and the Highwayman
1. What is your favorite part of this book and why?
When Phoebe is on the run from her ex-lover who is trying to frame her for the murder of her late husband, I love her first encounter with the ‘dangerous highwayman’ whom she believes is trying to rape or murder her. Of course, we soon find out it’s her lovely hero, Hugh, who is in fact pursuing the man Phoebe is running away from. It’s during these crucial few moments that Phoebe has the chance to be completely honest about who she is but instead chooses to masquerade as a lady’s maid rather than reveal herself as the duchess she is.
2. If you could spend time with a character from your book whom would it be? And what would you do during that day?
Why, Hugh, of course. In my first draft of the book I’d made Hugh a bit of a rake but he was so much the honourable gentleman by the end of the book that I went back to the beginning and reworked his character considerably. Personally, I’m not into bad boys, so Hugh would be my perfect consort. He’d take me up in his high perch phaeton and we’d barrel recklessly over rutted roads until he’d stop in a clearing in the midst of a forest where he’d have organised a table to be laid with a crisp linen table cloth with flowers and champagne. Then we’d sup while the sun went down. Ahh yes, true romance. It’s a gesture I can imagine my husband making.
3. If you could have been the author of any book ever written, which book would you choose?
Karleen Koen’s Through a Glass Darkly. I loved the intrigue and drama of a romance set during the 1720 English financial crisis, known as the South Sea Bubble.
4. Are your characters based off real people or did they all come entirely from your imagination?
They’re all completely created from my imagination. I don’t know anyone as villainous as Wentworth, my antagonist. Having said that, though, I believe many of the heroes in my stories – Hugh included – are based on my husband.
5. What made you want to become a writer?
I really don’t know. I just know that I have loved stories – reading them and writing them – from a very early age. My first attempt at a novel was my Medieval family saga, The Cavanaughs. That was never finished but I’ve used the name – Cavanaugh – in The Duchess and the Highwayman.
I think I’ll always write, regardless of how old and decrepit I become and whether or not anyone reads my stories. ☺
Thank you for having me!
